Wet shirts, Bridge’s skirts, more

 “When people asked me,” What would you want to do? “During a recent interview.” So the ROM-Com really with them … I was like, “Well, the appearance of this was really good, I should say.”

Yes, Bridge returned – and in a more sad display than the previous three installments. There is still a lot of solidity (Bridget is older, but it is still arrogantly chaotic) and romantic intertwining, but the life of Bridget has not been smooth since its reunification with Mark Dersusi at the end of “Bridget Jones’ Baby.

Now four widow years, Bridge finds herself at a crossroads when the movie begins, until she chooses to do more than survive. You will live! She immediately meets two romantic tissues – the younger Roxter (Leo Woodal) and the new school teacher for her son, Mr. Walker (Cheyetel Igivor) – and returns to work, where she still flows moderately, but in general, she feels more foundations.

Cating a loved character in the fifties of the age is a great task, especially those with which the audience fell in love with her in the mid -thirties. But the Central Renée Zellweger performance maintains the film on the right track – such as Rowe fashion, which feels the piece with what happened before during the founding of the current Bridget identity and those of new men in her life.

Indiewire spoke to Row about her work in the film, finding the separate line between sexy and funny, and making sure that Bridget did not lose her short -off skirts.

The following interview has been edited for clarity and length.

Indiewire: Congratulations on the movie. I saw him yesterday, and she became crying between crying, thus, confusion and inspiration every time I walked Liu Woodal on the screen.

Molly Emma Row: Well, so we did a good thing.

Obviously, I want to talk about Bridge’s clothes. But let’s talk about men first, because you got the help of creating Liu in the role of Roxter and Chihyetel Igiofor as a master and ancum. What was the exit to Daniel Clever (Hugh Grant) at this stage of his life, Sartura speaks?

It was very fun for me. Daniel was not the third movie, so we have 20 years when we met him last time. I really wanted to talk to Hugh, first and foremost, and Daniel Clever understood from his point of view and why he wore what he was wearing. Khayat was made by Richard James, Daniel’s first allowances. Richard is no longer a tailor, but my sewing found me a tailor used to work with Richard. His work was always upset, exciting and exciting.

We wanted to make sure that Daniel felt a cycle. Richard has always made his shirt position, which is a kind of collars from which it departs, very deep. So when Daniel has three buttons that have been retracted, collars are still very proud and framing his face. Lee Hugh presented a few shirts from the first films. Therefore (the shirt maker) Dima, I was able to see what a small tricks are and returned it.

Then there is a Roxter in the white shirt and jeans, and it is filled. What went to choose these clothes?

With Roxster, it was a very immortal thing to feel young. It is a kind of shirt and jeans James Dean, but it is very difficult to get these things properly, so there were there a lot From shirts and a lot From jeans until we got suitable for theo. With the white shirt, the Laurelley assistant designer spent a day in the swimming pool with Liu, and the white shirts test. ((He laughsI think she spent a happy day at work.

Life is very fair.

I didn’t even go to go! But we really wanted to repeat Mr. Darcy’s famous “Pride and Pregnancy” scene, of course. There is a lot of Easter eggs of all kinds, with dialogue, with jokes, with clothes. Like the first time we meet Bridge in the movie, you wear a green dress, and Mark appears. We wanted to remind you somewhat, wearing a green dress when baptizing when they meet in the third movie. The New Year’s emotion, wears a small head with silver, which reminds you when she was drunk as she did the karaoke in the first movie. Therefore, it’s very small things from the Bridget-Y that felt very important, and I think (the wet Roxster shirt) was definitely an additional type. We really wanted to find something clinging to, but we did not see through it. Again, it’s much more difficult than it seems to get the right thing. But this was the Paul Smith shirt that exactly the right things.

Yes, because if this is full, it will stop being exciting, and become a joke.

Yes exactly. I think throughout the movie, we really wanted to use clothes in an authentic way so that they are not caricatures or jokes. This is not true if a comic hair at that moment.

Roxter clothing, but not small. It is very important when you see him standing next to Bridge that he looks younger but not young.

Yes, I think so because after that, it’s too much. It’s interesting because, with Bridge, I was very careful to make sure that Bridge felt like Bridge. For me, with all my research on movies, the short skirts of Bridget are the most Bridget. She was like, “Yes, Well, she is in her fifties, but why shouldn’t she?” As you know, I am in the mid -1940s, and I wore a lever shorter than ever.

What I think you did this brilliantly with Bridge’s fashion is that there is still a feeling of chaos, but it exists. Layers, patterns – there is a lot of what happens visually, but everything is coherent and still feels the right side of the link.

Hear you say this makes me very happy. This makes me think that we have somewhat realized to do it. We don’t want to spend anything happening. And René is very sure about who is Bridge and what you will wear. I can’t really put it in words. It is a feeling while working or not. It was very important, for me, to respect the work (from) former three fashion designers.

So there are things that return (from previous films). Bridge wears her gray -tied coat, which is from the first movie when she goes to Türkiye’s Carrie buffet. She wears the plum scarf from the same scene. pajamas. There is a transparent golden peak with the mini skirt that we had to re -create, which was essentially some of the most difficult works, because no of us could know what he had already done. ((He laughs))

Where were you sources of Bridge clothes? Was it dedicated? classic?

It was a mixture. One thing I did when I met René and understood her operation a little more, she went to Hampsted and wrote a list of all stores there. Bridget and Mark lives in the hambstead in the story, so we mainly went to shopping in shipping stores and charitable stores in Hampsted. So, if there is something interesting, sign or such a thing, Bridge could go to the charitable store and bought it because this is what we did. There was health that I could get it from Rene.

There is a real sadness for this film. I am not sure that people expect it, and many of them come from the presence of this character in our lives for a long time, and seeing how it has evolved and what life I have given to it.

Michael Morris is an incredible director. The way he deals with sadness is that – my father died when I was very young, so I attracted my experience a lot. I remember that my mother was wearing a lot of his clothes, so we did this with Bridge. When you go to Hampstead Heath, she was wearing a mark shirt, where we developed MD. She wears this type of the huge gray cashmers that are really thrived, and this is similar to the blanket of the comfort we say it was Mark.

We have to talk about the master.

We have to talk about the master and a core because I love him so much.

It is getting more different from Mark Darcy.

This was something I realized. This character can not be at all like Mark Darsi as much as you worried, in terms of fashion. He was trying to find a line where he felt the button or dangerous enough, but there was a warmth that we could understand that children had been drawn a little.

I thought a lot about school teachers and a type of stereotype teachers from our past. My English teacher was very torn, wires and such things. So I took it, then I thought a lot about my friends who are teachers now. So he is smart and smart. All his clothes are designed by my sewing, Chris Kerr. Everything is made for Chiweetel specifically, and then it means that I can choose the fabrics that were really gentle winding bones with oranges, and he wears this coat at the end, which is similar to the green and black examination. I really wanted to have a personality and style, so he wore denim shirts under his allowances and things like that. I don’t think it is a great kind of statement, but it somewhat brings his character elsewhere, I think, from anyone we have seen with Bridge before.

This transparent summit, I think, may be your victory. She really assumed that she was a architect.

My God, I spent a full trip from Los Angeles, and I was like, “right, I will sit here for 10 hours.” I literally watched this scene, made it, frozen and returned it. I was like, “I must know what this is right for hell.” I mean, I still did not. Perhaps this summit came from Topshop, and who knew that he would become creative?

“Bridge Jones: Crazy about the boy” is now flowing on the peacock.