What was sold at Frieze Los Angeles 2025

Frieze Los Angeles 2025 closed its sixth edition on Sunday, February 23, crowning a prosperous week in Los Angeles Art, which witnessed celebrity and institutions across the city. The exhibition happened after fears that recent forest fires may affect the turnout. However, the event witnessed a large gathering of visitors, with a university university and high -ranking celebrities, including Adrian Brody, Gwyneth Paltrow, Kid Cudi, and Julia Fox.

Frieze Los Angeles hosted this year about 97 exhibitions from 20 countries at Santa Monica airport, and held within a week of exhibitions and other art galleries across the city, including Felix and beyond. The total number of exhibitors in Frieze was identical to last year’s version and a little less than 120 exhibitions. Strong deals through the exhibition reflect an optimistic position among the exhibitions, which enhances the feeling of flexibility in the arts market in Los Angeles. “Energy, attention and enthusiasm were clear, with a strong presentation of college, institutions and artists,” said Angela Brazda, director of White Kobe.

The sales reported through the exhibition were an Elizabeth Beton’s panel of $ 2.8 million in the David Zouirner booth during the transaction period on the first day. The sales process exceeded the most expensive treatment that was reported last year by two million dollars to draw Richard Sera at the Gladston exhibition. This year’s exhibition also witnessed many presentations sold from David Kordansky and Casey Kaplan, among others.

“I was roaring for this exhibition,” said Tim Bloom from the Blum Exhibition, which Los Angeles proves. “I knew very clearly that it would be an important event – it’s always so, but this year after this year after the destructive fires. I kept my expectations to choose, given the circumstances, but I felt comfortable when I walked on the opening day to see a snap line ending at the entrance slope Ultimately, there was a very vital and vital crowd at the beginning of the exhibition. Angeles this year a victory. “

The new observation acquisition program was the Mohn Collective (Mac3), a joint initiative from the Los Angeles County Museum of Art, MCA, and the Hammer Museum. This fund, which reaches $ 75,000, got two works from the Concentration Department: Shanyqwa Jarvis’s Slow, definitely (2025) from Sow & Canfor and Edgar Arceneaux’s We plan the mirror (summer 1) (2025) from Dreamsong – one of the best artsy stalls from the exhibition.

“Free Los Angeles achieved a resounding success,” said Christine Missino, the American director of Ephrase. “The association and institutions that operate in real intentions, and buying constantly throughout the exhibition, from the opening moments to the last hours on Sunday afternoon. The market has proven its flexibility. In the face of recent challenges, the global art community realized the vital role of investment in the creative economy.”

Here, we assemble the main sales that the exhibitions reported at Frieze Los Angeles 2025.

After the recent forest fires in Los Angeles, Frieze Los Angeles was distinguished this year with many initiatives to support the affected people. These partnerships included organizations, including the Black Community Alliance for Art Museums, in addition to the opening of the EFPs Alliance, where major institutions are committed to supporting local artists and exhibitions. At the Victoria Miro collection “Exhibitions together”, exhibitors and artists were invited throughout the exhibition to contribute to business, with revenues that benefit from the relief fund from the La Arts Community magazine. The works sold through this initiative included:

• Victoria Miro sold Tidawhitney Lek’s Cambodia (2024) and Jimma Murphy Life in violet (2024) compared to 15,000 – 20,000 dollars each.
• Liemann Mobin Lisa Lu Sunday afternoon (2013) for $ 25,000.
• David Cordensky sold Maya Cruz Balitio exhibition Aspin monitored (2024) for $ 8,000.
• Kaikai Kiki Tomoyumi’s Sunday afternoon (2023) for $ 17,000, banning the Chinese Baptism in Mexico (2022) compared to $ 5700, ban OII meetings of the third type For 1900 dollars, and Shane Morata and Takashi Murakami’s business for $ 3,000 each.
• La Louver sold Rebecca Campbell Gold Salmon River (2023) for $ 8,500.
• Galerie Lelong & Co. Tariku Shiftraw’s Keep your head up (Tupac) (2019) for $ 5,000.
• Sell ​​303 Erren Fols Wissam Folts Gallery Concorde (2025) for $ 3,000.