The glorious Masonic Quarter celebration of the micro -jazz music
Will Mason loves to carry out accurate synthesis in a variety of musical species. Associate Professor of Music and Head of the Music Department at Whiton College, Rock Six Habi Bliss, consisting of six pieces (which includes two guitars, two soprano bumps, and two guitars) used a quarter tone connections in both guitarists. But these types of combinations are particularly difficult for keyboards. “The 24 -tone scale is appointed on the keyboard means that the pianist will have to reach the uncomfortable range of 9 interests to produce something that seems to be the fifth perfect.”
This is the introductory interpretation on the BandCAMP page Shakran, peacockMasson multiple composition, for a four -saxophon from Alto, Corpical Tenor, setting keyboards, and drums. The implementation of these combinations leads to a worrying and vital action, a type of jazz album “Alternative Universe”.
Shakran, peacock It was recorded in the Senior Resonance Chapel in Norton, Massachusetts, last May, and inspired by the formation of the “Welling Disted” epic “The Welling Disted”, as well as through the modern works carried out by the painter Joan Mitchell (especially the “HEMLOCK” painting in 1956) and the poet Wallace Stephen 1916, the poem “Hegemony of Lions”. With Will Masson on the drums, Anna Weber joined the Tinur Squon, Daniel Fisher Rothsheed on Alto Sachuson, and Devon Russell Gray on keyboards. The famous Young composition is a constant single single work that started in 1964, which Young never considered “ended”. It has been implemented differently several times since it appeared for the first time in 1974, which requires a piano that was seized in intonation only.
This type of composition based on processes and improvisation often makes music, on paper, more complicated and perhaps outside it is really. EGGHEADS loves to get out of wooden works to Pontificate on granular details, which it justifies it completely. However, those of us who simply enjoy hearing a group of talented musicians easily playing music that falls a few steps away from the base, will be rewarded for what Mason and his group has accomplished. With the opening track, “Hemlocks”, music and players are safely revealing, starting with modest tense keyboards, followed by rhythm and saxophone.
“Fallen leaves, which are repeated themselves,” characterized by Corps, Weber and Ras Fischer, which carefully play each other before joining the entire band, which were highlighted by the single gray and sparkling rhodes. Gray also lights up on “twilight”, with deep dark ropes that give the composition a kind of loaded background.
Mason sees the drums on “Turn in the Fire” directing the group’s confidence through unusual time signatures, which requires a great deal of inspiration from the huge Young formation. Meanwhile, eloquent “hymn” avoids for centuries for a delightful contemplative duo between Gray and Mason. But Webber and Fisher-Lochead returns with revenge on the loud “planets”, as it is widely shown in the gentle album (initially) closer, “Peacocks”, a masterpiece of dynamics-starts slowly and gradually constructing to Cacophony Joyous before before concluding with The presence of Coda from the traded drum of Mason, which restores the rhythm that entered the piece.
Will Mason’s consultation and his squad undoubtedly challenge for all media outlets for inspiration Shakran, peacock. The results are often amazing and deeply satisfied and deserved to be reviewed again and again despite somewhat complex source materials.
