Art & design

The CPW Vision winners highlight the issues of racism, cultural and women

A collection of three pictures: a person wearing pink swimwear sitting outdoors, black and white image for a curly hair at a striped top, abstract artwork that includes a chair, paper guide, and an emerging hand of pink design.

the Woodstock Photography Center In Kingston, New York, she announced the four winners of Vision Vision Awards.

The Center for Naudstock (CPW) was established in Woodstock (CPW) in 1977. CPW has a dual task: “To support artists working in photography and relevant media, and involve the masses through creation, discovery and learning.”

To enhance its mission, the organization hosts its exhibitions at its newly renovated headquarters in a previous historic cigarette building.

“We are particularly proud of this year to celebrate an exceptional and varied collection of VISION CPW 2025 Awards,” says Brian Walis, CEO CEO. “Every noticeable recipient rearranged the limits of photography, and called us to see the history of the means again and think about how to form our photography with beauty, personal identity and social transformation.”

A little girl with curly hair and a dangerous expression stands in front of an adult. She was wearing a striped dress, handy hands, dirty, and gently stuck to her shoulders. Black and white image.
Sally Man, Virginia Contract, 1989. © Sally Man. As for courtesy.

For their vision awards in 2025, the Amen Achievement Award for Sally Man (American, born in 1951) goes. Man is famous for its black and white photography for her family, landscapes and social aspects, such as young femininity and disease. It is more famous for the Fawry family series (1984-1991), which is characterized by pictures of its children. Her latest work is studies on the American south, Deep South (2005), and what she describes as the “human state” with Proud Flesh (2009).

Man won multiple prizes throughout her career, including Guggenheim Fellowship and three national affection for arts. Her works were shown in prestigious major museums and exhibitions, from the Corcoraan Art Fair and the National Art Exhibition to the Metropolitan Museum of Art. She is also known through her best -selling memoirs, Hold Still (2016), as well as TWELVE photographs: pictures of young women (1988), an immediate family (1992), and the remainder (2003).

The exhibition describes its recognition by the Woodstock Photography Center for its distinguished achievements and the famous work sentence.

“More than 40 years ago, her lyrical, black and white images of the family and nature have sparked the loss of the young femininity, and the way the Southern Landscape has kept on the war’s scars.”

Man has recently topped the headlines to take her photos by the police in Texas, prompting conviction and screaming from civil rights groups.

A person wearing pink swimwear and a decorative swimming hat on a wooden structure with a body of water. The scene includes herbal swamps and a blue sky in the background.
Tyler Mitchell, Bother, 2024, compliment the artist and Gagosian exhibition

The 2025 CPW VISION Award goes to Tyler Mitchell (American, born in 1995). Fashion photographer whose mitchell photography is full of colorful photography and a photographed sea as images.

He grew up in Atlanta, Mitchell began to document scenes of skiing, music, fashion and youth in the city at an early age. History was made in 2018 as the first black photographer to film a cover cover with his distinctive image of Bionce. It also describes CPW:

“Mitchell is a photographer and a movie director who reflects his pictures and celebrates the beauty of black American life, as it focuses on self -determination in the light of history.”

Mitchell work in collections in the Museum of Modern Art (MOMA), the Higher Arts Museum, the National Photo Gallery, as well as Foam Fotugrafiemuseum in Amsterdam, the International Center for Photography in New York, and the ART Museum in Atlanta. He is also a colleague of 2020 Gordon Parks Foundation.

Last year, he showed his work at the C/O Berlin survey exhibition, a double exhibition with Richard Avidon in Paris Pirors, and a single exhibition entitled Ghost Images in Gagosian Gallery in New York City (offered until April 5).

A surreal sticker characterized by a non -stereoscopic arm with a golden texture that extends from a group of paper clips. The arm reaches a wooden chair. The pink and white background with scattered numbers provides a tight look.
Qiana mestrich, unitled

CPW Vision 2025 CPW award is a multidisciplinary artist, photo historian, Amin, and writer Cena Mysterrich (American, born in 1977). In addition, it works as faculty members assistant in photography and social media at the Fashion Institute of Technology (SUNY). It was praised by CPW to photograph the CV that highlights race and women’s issues:

“Its artistic works and research in the CV include issues about the identity of the black and mixed race, motherhood/motherhood, and companies’ work for companies. Innovative repair restores the role of women in the workplace of companies by mixing office supplies and furniture with women’s faces.”

It is known for the establishment of an art initiative that calls on the colorful photographers with its Dodge & Burn blog: End the history of photography. Mestrich continued writing a book based on the blog, the diversity of colonialism and diversity in contemporary photography: Dodge & Burn interviews. She obtained a grant of the date of facing the Magnum Foundation in 2022 Workingwoc Instagram archive. The project explores topics about women collision in the workplace of companies.

CPW explains, “The Solkmanan Award recognizes the exceptional achievements of the emerging photographer whose last work has received a broader vision and his distinguished voice contributes to new views in the continuous dialogue on photography and visual culture. As a beneficiary of the Solkitman Prize, Misterrich will receive a cash prize worth $ 1020. CPW in 2026.”

Opical to the eye with a soft blue background. The text reads: "I am very happy because you are here" and "Japanese photographers from the fifties until now." Word "slot" Also visible.

For Photo of the Year, the CPW VISION 2025 goes to “I am very happy because you are here”, which was published by Aperture. The book challenges the historical precedents by showing the works of photographers, Miako Ishuachi, Toyoko Tukua and Renko Kawash.

CPW explains the importance, “This important new post, I am very happy because you are here (the opening), represents a challenge of historical links and firm photographic by providing a comprehensive overview of Japanese women’s contributions to photography. Editing Pauline Vermare and Lesley A.

The book contains 25 detailed wallets, three illustrated articles, a video references, and a selected group of writing by Japanese critics. It should be noted that the critical writings, many of which were published in translation for the first time, and sharing these words with the world.

CPW described, “This book is an indispensable resource for anyone interested in the history of a review of Japanese photography.”


Image credits: The photo center of photography in Woodstock, Sally Man, Tyler Mitchell, Channa Mysterch, an opening.



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