The collaborators cooperate with the late Japanese artist, Toshu Siki
Tushio Saiki, the legendary Japanese artist known for mixing exciting excitement, horror and humor in his works, died at November 74. During his life, I was given the title of “his goddess from Japanese lust”, which was collected for a successive stage before its spread, and renewed his interest in his work during the last December period. Among the symbols of this appearance in the shows in Nanzuka, Jeffrey Dicch exhibition, Art Basel in Hong Kong, Jio Xiang Jo exhibition in Taipei, and the arts factory in Paris.
The collections published from his work were vital to seeing him. The last moments were among those companies. Participated co -publisher Colin Turner recalls long engines to visit Siki in his distant rural home, and the meeting through an introduction from Yasutaka Minegishi from PressPOP Inc. Turner is described as “an unusual book with his Vellum, which shows the printing process.”
“Saeki is an unprecedented craftsmanship and courage.” “He takes twisted dreams and imaginations and turns them into incredible aesthetic books. He is a real artist and artist.”
Minegishi met 21 years ago, where PressPOP was interested in the artist’s publications. “When we respected his unusual works and exceeded in all ways, and we felt that he should be known on a wider scale, we started working with him, and gradually expanding his activities abroad,” says Maki Hakoy of PressPOP.
Hakui says: “Saeki legacy leaves behind him through his works that by placing the shape, from a very wonderful and objective perspective, the global and primitive energies that occur within everyone becomes a kind of” switch “to open the unique sensitivities that lie asleep or hidden within an individual.” “And being the genius he was, he does this in a useless way, not involved, fun, challenging and thickening the audience with many of his fictional works.”
