Glenn Close, James Mangold Are ‘In Awe’ of Sundance’s Michelle Satter

star SandansThe annual ceremony in 2025 was not a newly attributed Oscar candidate Cenatia EvoOlivia Coleman, an Academy Award winner, or even Sarah Barrells, who gained applause standing for a brief performance to close the evening. Instead it was Michel SatterWho may not know the name of the common people but it was Loved in the room in the Grand Valley Life Deir in Park City.

Satter is the founding director of the artists ’programs of the Sandans Institute. It was with non -profit organizations from the beginning at the beginning. In her speech at Honorees dinner, Satter recalled a five -minute from Robert Redford and made courage to tell him that he needed her to open the Los Angeles office for the Sandans Institute.

Red it? “Certainly. Call me when you get there.” The rest is the date.

Satar launched Director laboratory for the Sandans Institute And directors directly from film makers such as Quentin Tarantino, Paul Thomas Anderson, Chloe Chau, De Reese, Ryan Kogerer, Taika Whitete, and more.

Many of these people were shown in a Satter video, an influential collection of home films in which people like Tarantino, Waititi and Kieran Culkin were just ambitious stories narrators. Many video speakers such as Ed Harris, Sally Field and Daniels and more are described as the unknown Sondens hero, the “silent voice” that was behind all great artists. This is because although it was not described as a producer in these films, film makers described how they left their mark through the reactions of mercy and the constant faith in it.

Sandans also removed a set of voices for her hero. “It was in the fear of this particular person.”

“The depth and breadth of its influence is countless,” Claus said. “It is difficult and flexible as it can be a woman only.”

Mariel Hiller, director of “Nightbitch” who worked with Satter on her appearance for the first time “Diary of a teenage girlSimply called “one of the best people” and “one of these light points” who represent good in the world.

James Mandeld“The most important decision and verb.” After coming to Sandans Labs to develop his text for “Cop Land”, he said to this day, “I still yearn to convince you that you are right.”

In a letter from Robert Redford, who was not present, but his daughter Amy Redford read it, described it as “useful” in forming Sandans to what it is today and called “Samad” in four decades of changing departments and the epidemic.

“You are the lighthouse. Redford wrote you.” “But it was never about you, because you were always focused on the craft and the artist and what they needed. They may encourage them to continue digging or perhaps retreat. Maybe I gave them a hug or a small kick at the rear.”

Satar received an applause standing while she was in the stage, and she recently delivered an emotional speech and recently described her family’s home in the Ballizads amid fires in Los Angeles.

“We lost our village, but at the end of the day, we are the village.”

The Sundance Institute, presented by Google TV, was held this year at Grand Hyatt Deer Valley at Park City. The annual event has helped collect funds for the Sandas Naghai Institute, which will be placed at work throughout the year of the institute that supports independent film Programs and grants.

Increasingly, the ceremony corresponds to the Academy Awards campaign, and this year, the event occurred the next day of Oscar nominations, with Evo and Mangold and “Sugar cane” managers, Julian Priev, Nisikat, and Emily KassiWho won the Vanguard Award for non -imagination, and all nominations for registration and all of them are honored by Sundance. Sean Wang, who won the American Dramatic Persons Award for “Didi” last year, was awarded a award from the festival, the Vanguard Prize for Imagination, as presented by the director of the “wedding ceremony” Andrew Ah.

Coleman presented the Evo Basira Award, who took the theater wearing a crown and a banter as she loves “how it is unofficial” Sandans. She described Evo for the first time in “widows” and thinking that this is a bright young American actress who will one day go. Coleman is convinced to this day that the British Evo tone is just something you do from the private sector.

Mangoulid also gave a convincing speech, saying that as film makers “we do not need to make something allowing people to spend the time of inactivity.” He called for films that wear their emotions on their sword and made an appeal for more seriousness in the films, something that tends to do the best of it.

“We should not feel embarrassed by feeling distress and showing it,” he said.