7 offers to see during Frieze Los Angeles 2025

Kelly Akashi | Leson Gallery February 20 – March 29

In her first exhibition at the Lisson exhibition, the artist -based artist, Kelly Academy, wanted to make an intimate group of work. She told me: “My intention has always been to show these works to treat glass over time.” However, of course, my intention was not to show the tissue that she accumulated from a historic fire. ” Etone Fire in Altadena, along with most of its art. Lost-like the pods of the bronze seeds and the amazing glass that grows from the huge bases of the alabaster-and the reform of others with the flame, including a series of sensitive glass that survived in hell inside the artist’s oven. Akshi admits that this may appear now. “It was always supposed to be real and honest in my work, and this allows them Carrying this added layer of history. “

Bruce Numan | Marian Guudman Gallery February 19 – April 26

Starting in 1969, Bruce Nauman spent eight years living with his family in the home of Pasadina from the Secretary of the Coordinator Walter Hobbes before moving to the pocket of the artist close to Tadina. However, this exhibition at the Marian Judman exhibition is its first single in Los Angeles for three decades. I put it in the abundance of the heavy in the Saint Gabriel Valley in the midst of conceptual art on the West Coast and fell to him with a reactionary effect in 1972 at the Los Angeles County Museum when he was only 31 years old. “Years of Pasadina” includes the first re -establishment ever Text (1973/2025)-Important installation, which was initially produced when he traveled retroactively to the Whitney Art Museum in New York-alongside a sharp collection of early sculpture, video and text works that show the artist’s genius to exchange the game building.

Corpin | Nazi / Corsieu February 15 – March 22

The paintings at Kour Pour, the British Iranian artist, see the re-formation of his long-standing interests-Persian miniatures, Islamic architecture, and sacred engineering-to charming new forms. These architectural panels indicate complexly on panels stacked in the form, and refer to Frank Stella’s books from his trip to Iran in 1963. Pour’s show will also coincide with a new batch of “Mehmooni”, which is an exhibition series sponsored by the artist for the Guest House – located inside the Inglewood Studio Complex His own – includes works by Iranian artists living in Los Angeles, home to the largest Persian diaspora in the United States. It is a beautiful contemplation of success and building cultural identity.

John Rafman | Magers Sprüth | February 15 – April 12

John Rafman’s single John Rafman exhibition works “Proof of the concept”, which works at the forefront of artificial intelligence. -95). In Rafman videos, imaginary musicians, with fun names such as Cldy Heart, are a set of competing types (Think of “Prep Metal”) derived from the artist’s imagination. Additional works are characterized by CGI heads that were developed using representatives who licensed their suspicions of artificial intelligence companies, offers with the help of algorithm for the covers of the album, Mirch band and other souvenirs that represent great discotory. The result is a proven point of view about the pop -bearing culture by sterile, “If you like this, you may also like” the recommendation models.

Julian Ibrahim ‘Oujar’ | Commonwealth and Council February 1 – 15 March

Indonesian artist Julian Abraham “Toujar” merged drums for the first time in research based while he was staying in Regexaki in Amsterdam during Covid-19 insurance. “Ghost Strokes” believes that the artist expands these previous experiences in Communious and Council, a small independent exhibition known for the stunning cerebral work display on institutional memory, which includes the Gala Porras-kim menu and American artist. The installation of the strong TOGAR is similar to early cinema. A mechanical cylinder collection entitled Voice analog is digitally composed (2024) and It should be followed (2025), which is a black and white film filmed in the amplifier factory, which is shown on a fabric like shade dolls; Near -placed, deportation of textual bullets such as “Polyrhythmono Sterepticon”. During his work, TOGAR seeks to present a complex political history, such as the relationship between folklore and advertising, not only visible but also heard.

Charlie Engilman | Château Shatto | February 18 – March 29

In Château Shatto, it is located on the other side of the discount furniture store in the Melrose Avenue, and the tempting Charlie Engelman sculptures. Using a high -density foam and the rescued wooden red, the artist gently curved, and let her hang on swollen bases or linked to a black chain. In one statue, the green forests appear to be wrinkled at the base; In another, a pink bowl is strictly cracked in the form of eggs, providing a glimpse into the edge. Engelman for polymer does what Genesis Beanger does to porcelain or Christie cavataro to glass, and formal materials of physical and attractive quality, in his hands, completely fungal.

Essi Wood | Michael Werner Gallery February 15 – May 17

The fourth exhibition on the new Michael Werner site of Beverly Hills is the American painter born in London, and the first Issi Wood music in the city, which feels the appropriate home for the artist. “Los Angeles is a city led by the media, self -energy, nostalgia for the past and the ideal beauty,” says Gordon Viklasen, the owner of the exhibition. “Under the enchanting outer surface, it is also a secreted city.” A number of paintings – all oil on linen or soft velvet – follows the latest version of Wood album An accidental American (2024). The artworks and the album alike are informed of their relationship with a man, says Wood in the Catalog, fond of a “Smith & Weson mineral mineral mission”. The paintings were often filmed, often from the short cinematic articles that include guns, offensive rifles and rifles, along with cars that sparkle with exciting shine. These are things desire, and they want to harm us.

^{Main Image: Bruce Numan, Studies for the Car1970, a group of five screen. Compliment: Artist and Marian Godman exhibition; Photo: Elon Schoenholz}