Music

Roundup Music Video Roundup: A complex symbolism of the award -winning warrior

With Winter a quarter reach its end, it is time to reconsider the pictures that made the season dynamic.

A variety of artists presented unforgettable music videos for their individual games, withdrawing from nostalgia and original TV programs to formulate vibrant stories. Dramatic costumes and high -octane dance design, winter was full of videos lifted their source materials.

Continue reading for the Daily Bruin summary of some of the music clips that have emerged this winter.

DOECHII is located on a wooden chair and carries a albino crocodile on its embrace on the cover of its mixture for 2024
DOECHII is located on a wooden chair and carries a Albino crocodile on its bosom on the cover of its full tape entitled “The crocodile never heals.” The Grammy AS A River, which released the DOECII, released a Janchii video with inspiration from the comic play in the 1990s. (With the permission of Top Dawg Entertainment, LLC)

“Inskar is a river” by Duchi

There is no denial of the visual art in Docha is acute like her lyrical.

It was released on January 2, which is “Denial AS A Rive”, nostalgia music packages, celebrity references, cultural references, and creative production in about three minutes, which follows its release full of 2024 “crocodile bites.” In honor of classic series in the 1990s, including “Matters Family Matters” and “The Fresh Prince of Bel-Air”, Doekii plays the main championship for its special show, in the wake of the serial story of its explosive profession. The Grammy Prize winner disturbed the video release through a series of a play inspired by the comic the play, as the star -to -star actors presented Cameos to the Tune of the Family Matters “,” As Days Go By “.

The Various Celebrity Team includes the musical symbols Earl Sciencet, a puppet of Q and Baby Tate alongside the Zack Fox and Rickey Thompson, all of whom play characters from DOECII’s personal life. It is directed by Carlos Acosta and James Mackeel, the video comes out of the living room inspired by reaction to reveal the studio audience-and it is smoothly from aesthetic from the guard and the livestock to the contemporary cinematic style. In conclusion with an explosion, the final frame leaves Duchi surrounded by the seat of the group, creating a painful visible representation of her singing story.

It enhances its position as visual and neonic stories, dochii sailing towards continuous praise.

– Rawani Jayasikara

(Related: Grammys 2025: 67 BeyonCé and Kendrick Lamar Awards, encourages fires in Los Angeles)

FKA Twigs wears silver jewelry and looks directly on the camera on the cover of her third album,
FKA Twigs wears silver jewelry and looks directly on the camera on the cover of its third album, “EuseXUA”, which was released on January 24. The album includes the song “Striptease”, which was released a 5 -minute music video on the same day. (With the permission of Young Recordings Limited)

“Striptease” by FKA Twigs

FKA Twigs continues to adopt strangeness in the best way.

“Striptease” is the ninth path of its third -awaited album “EuseXUA”, which was released on January 24. The single music video clip, which was released on the same day, opens the FKA branches that pass through a tunnel on a strict highway, and it seems that it appears to be from his follow -up as a shroud. The echoes of cars and steps dissolve with slowing their breathing, her face comes to focus, and her expression moves from fear to challenge. When music begins, FKA Twigs receives her coat before surreal surreal dance.

At about 5/2 minutes, the video offers a cinematic trip for transformation and transgression. FKA branches destroy her brilliant red dress in slices behind her, reflecting the lyrics of the song, “I am abstract, until pain disappears.” Then she ascends, her relative face surrounded by the intertwining of the endless limbs – indicating that the physical shape exceeds. A child staring at her arrested personality in awe, while FKA turns into a moments to the child, and symbolizes the reclamation of her inner child. FKA Twigs returns in a fierce runway band, where they are bypass with confidence as the car’s headlights turn into clear cameras – and their transformation has been completed.

With viewers lost in their nudity, FKA Twigs finds itself, as it gets rid of the layers to create something new.

-Jade wang-o’s

The face of Lady Gaga & Squot appears; Next to a broken mirror on the black and white cover of her album 2025
Lady Gaga’s face appears next to a broken mirror on the black and white cover of her 2025 album “Mayhem”. LP includes the single song “Abracadabra” that released Gaga, a music video for it on February 2 (courtesy of Interscope records)

“Abrakadabra” by the hands Gaga

Lady Gaga throws a talisman again, and the fans are captivated by another huge performance.

With the rhythm of the charming dance and the charming dance, Gaga unleashed the music video of “ABRACADABRA” on February 2. The path is one of her seventh album “Mayhem”, which was released last week. The video is shown in neighboring situations, with one person standing strong in an ethereal white group while he wears the other in red like “the mistress of chaos”. The two people are going through each other throughout the high power clip, which is rich and dynamic with a group of dancers.

The singing of the path is explained by the competition between death and love in the dance hall, with the phrase “Abrakadabra” opposite the magic thing. This concept also appears in the amazing optical fashion contained in the video, which was created from Upcycled materials. Gaga said that video photography envelops a “spiritual club”, as she faces her characters continuously chaos and optimism. While the battle between the two versions decreases from itself, Gaga enables an angel screaming on the mistress. With this, the video concludes that “Lady in Red” tends her head down, and symbolizes defeat.

With some tricks that reach her sleeve, Gaga embodies the magic of “Abracadabra” through her wonderful words, dance design, and visual performance.

Jelian Baker

(Related: Review of the album: Lady Gaga brings magic with dancers, twisted words)

Surrounded by a decorated golden frame, Lucy Dakus looks down on the cover of her upcoming album
Lucy Dacus, surrounded by an ornate golden frame, is surrounded by her upcoming album “Forever Ase A Feeling”, which is characterized by the LP title written through her chest. Dacus released the music video of the song “Best Guess”, which is scheduled to be the tenth track in the new album, on February 10. (As a compliment Lucy Dakus)

“Best Guess” by Lucy Dakus

Lucy Dakus proves to be a gambling man in her latest music video.

DACUS visible for the single song “Best Lugent” released on February 10. The song was appointed to be the tenth track on the upcoming Dacus album, “Forever Is a Feeling”. Watching with previous music videos, Dacus chooses from complex costumes or setting designs and instead focus on the details and views of people inside the video.

The “best guess” employ frequent discounts in the camera for more than ten members of the acting team in allowances showing the best dance movements or staring at the camera and in the eyes of the viewer, using a visually contrasting color painting in black and white. Towa Bird, Cara Delevingne and Naomi McPherson also appear in the video as celebrity features. The song describes the weakness of Dacus about falling in love, because it depicts taking a gamble for its future for a person in the hope that this will be true. The video includes a scene where Bird wins the game of arrows and raises the actors in the air before going out to a group dance with Dakus with confidence in the lead.

Dacus’s vision does not require any guess because it allows her to shine and her skills in gambling.

Gabriel Gillett

A close image of Lizzo & Squot is used with a red dye
Close to the face of Lizzzo with a red tincture of the cover shroud for its covering “still bad”. The winner released the Grammy video on Thursday, after her individual song on February 28, “Love in Real Life”. (With the permission of Nice Life Recording Company and ATLANTIC Recording Corporation)

“Still bad” by Lizo

Lizzo returned this winter to start a new era.

The winner of four times Grammy released her individual “Still Bad” on Thursday. The unconventional disco elements immediately remind us of its Grammy Time and It is delivered alongside fun words such as, “I do not need it, I need a drink / to turn this pain into some champagne and the child.” The song “Love in Real Life”, which was officially released on February 28 as the single song and the title of her next album, begins, “still bad” is like a direct supplement to her predecessor video through the opening with Lizzo on the car cover.

The video is transmitted quickly with Lizzo waking up, smoking a cigarette and filling in red by one of the infantry, and turns into a scene where it stands in a forest that wears a red latex group while the car burns behind it. While the forest is darkened, Lizzo joins a group of silver dancers and wearing a tender while serving an active simultaneous routine. Dancing continues with ice fall and Lizzo appears in a group of water, smiling on the camera as it sings.

Lizzo announces that it is still bad, but its latest views indicate that its music output will remain good.

– Red Spersen

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