The best scenes analysis editing candidates

Indiewire has called the editors of an Academy Award -nominee films to choose and analyze a pivotal scene that shows their best. Below are the three who managed to participate: Nick Emerson (“Konkalaf”), Juliet Welding (“Emilia Perez”), and Myron Kerstein (“Wickked”).

“Conclave” from Edward Berger provides a unique plot during the selection of the new Pope within the lump model in the Sistin Church. Cardinal Lawrence (Ralph Vins, an Oscar candidate) runs the rituals while the detective plays to solve a plot related to the late Pope, which complicates his mission and exacerbates his faith crisis. The editor Emerson is slowly burning in moving mystery in the confined spaces, most of them in the dark, and balances the external drama inside. Attention always focuses on the psychological struggle, directly and indirectly, through its acute cut.

“Emilia Perez”, the musical crime movie from Jack Audiad, works like a dream of the Oscar -Oscar -Oscar Oscar (Zoe Saldia), who is tired of political corruption in Mexico, and Manitas del Mont/Emilia (Carla Sofia Gascon, an Academy Award) , That you renounce to find a surgeon for sexual assertion surgery. Thus, a transformation begins to both. The editor, the director, has long freed Juliet Willing, against rhythms and stopping traditional musical plays with serials that naturally flow from dialogue to musical moments as part of a hybrid dramatic structure.

For the maximum “wicked” music for John M. Zhou, the editor, the editor is happy to treat color attacks and mix the different types to explore the volatile friendship between ELPHABA/The WICADAD WICH (Cynthia Erivo) and charming Galinda Glinda (Ariana Grande Candidate of the Academy Award). The first thing Kerstein did is to take a collision cycle in understanding the intense VFX films with the help of the Wyatt Smith (“The Little Mermaid”), learning about Previs, posvis and how to edit the post -repetition process. This was met in the climatic piece: The transformation number of ELPHABA, which is made on wires and Sung Live in front of a green screen.

“Conclave”: Adeyemi’s fall

“This sequence is a pivotal because it depicts both the first fall of the Pope candidate, and also the first real intervention of Cardinal Lawrence in the election process. It is really two separate viewers that fold each other. Inside. To the angle of the opposite camera and see the end of the tail to close the door.

“Once the room enters, Lawrence faces it about his past and tells him that he will never be the Pope. Admi is crushed by this news and Lawrence is asked to pray with him. The next scene is Adeyemi’s vote in the next poll, knowing that his elections have ended. Lawrence was framing In the entrance and move towards him, we cut off from Lawrence in the next scene. We reveal that he watches Adeyemi walking to the front of the Sistine chapel to vote. The sequence of voting clearly indicates that the outcome of a manner has decreased dangerously. . ”

Emilia Perez: London dinner party

“The dinner party in London is a major scene that represents the beginning of the second part of the movie – a decisive turning point in the life of the characters. To indicate this new chapter, we chose to open the sequence with the song” Swing Supreme “sang by Ruby Williams, which is completely different from the musical style of the rest The movie “, Welfling said.

“The scene begins with a vital dinner, and at the moment of revelation, the lights come out, and we suddenly turn into the intimate relationship of Umilia and Rita. At this moment, music takes its full power, allowing us to escape realism. During singing, Rita moves from a surprise to terrorism, then to sympathy While Emilia tells her story in a tragic way.

“The liberation of the first part of the scene focuses on efficiency, but for the Song part, he led the emotion alone liberation. We remain in the closeness, with the falling shot of the two women, and the editing is minimal.

“They are like the only two people in the world, but we, spectators, can take enough time to get close to them. After this scene, everything will be different …”.

“Al -Ashrar”: Ozdost Hall

“The scene of the Ozdost Hall is the emotional heart of the” bad guys “, the axis in the development of the friendship of Glinda and Elevaba, and in the transformation of Elvaba to the evil witch of the West. John MM and I worked to indulge in the views of both Elbaba and Gen not, as well as the crowd around them, and formulation Emotional journey in the liberation.

“In Tahrir, we have deliberately slowed the speed to increase the emotional detection of ELPHABA. Its movements become a dismantled dance – chaotic, crude and full of internal conflict. Dancing is its struggle to find a place in a world that rejects it, and the desperate need is almost reckless to connect. Challenged against the indifference to the crowd.

Sinthia Evo’s performance was very important in restoring life to Elevaba’s emotional arc. Each one, often running more than 12 minutes, captured the rocks of her journey – her anger, tears, and pressure. These unarmed newspapers led my editorials, allowing me to form the scene in a strong emotional release, with the internal conflict in Elphaba and its challenge in the end of everything. “