Pitchfork announces three new columns book

Readers have long know that Pitchfork has always been about following your favorite book, hoping that their secondary line will appear when the review department updates a few minutes after midnight. This is because the criticism of music is everything about taste, POV, and personal things by nature. Through our list of our new columns, we enable three of the most important critics of music in this era, giving them freedom of writing about what interests their interest and expanding the scope of what we cover. As these columns grow and become strange, I hope you start to feel like a small world in the broader ecosystem.
I realized the power of music criticism by reading Meaghan Garvey’s writing online in 2010, so it is honored to show it in a prominent way and comment on it on music and culture at the present time. Kieran Press-Rynolds and AlphoneSe Pierre must read voices within their lanes of internet and hip hop in the last half. If you are absolutely concerned with the place where music and music tends, you should take advantage of the three.
Every Wednesday, we will publish BungerDeep Kieran Press-Rynolds in songs and scenes at the intersection of digital music and culture, and the Sheitpost genius separation from Sitpassé. “As a person who grew up while absorbing all kinds of wonderful and wonderful memes, a column analyzes on the Internet and the evyera and music seems to be a complete circle,” says Kiran. “I am excited to stop strangling my notes and start formulating these nuggets of ideas in complete reports.”
On Thursday it will be The truth of the bluesWhere Megan Garvi wanders around the secrets of our strange world, in an attempt to arrest an atmosphere. From Meaghan: “Don’t you feel like the reality that melts around us? In any case, you should not let a good disaster is lost. It is time to know what is real or die.”
Finally, on Fridays, we will turn on AlphoneSe Pierre’s Off the dome The column, which covers songs, mixed, albums, scenes, scraps, movies, tweets of Mick, fashion trends – and anything else that attracts his attention. He says, “At least it is not a podcast,” he says.