Jazz singer Michael May is amazing in a stunning voice »Popmatters
Young singer Michael Mayo has a flexible and atom tool that provides many possibilities. He grew up in Los Angeles, his father sang and played Saxon with teams he loved, and his mother sang consensus professionally. But he also received his education in jazz at the New England Institute and the Monk Institute (now Hancock). Will he become jazz singer or try his hand in popular music?
The temptations of the twenties of the twentieth century may inhibit the young singer from doing anything bold or very creative, but – smooth, stadium and rich in hip ideas and homogeneous bending instinct – Mayo makes music that drives the borders in both directions. Returning to the tradition of jazz, but also has a talent for popular gravity, his second full recording, TraveleIt is a wonderful and high -destiny collection that suggests how “jazz” can sing again to the hungry listeners of both the spirit and the creative challenge.
For the first time in May 2021, BonesIt was a strong thesis statement – guaranteed and different, but to present solid grooves to the point that listeners should not be afraid. “What is my name” is a deadly traveler from the fang outside the X -Rhodes Electric Piano VAMP and an irresistible cylinder path. The sparkling, which allows it to show the angelic Valsito. Solo singing out of the song appears from the song and the groove collapses in manual applause before Mayo builds the arrangement again to the full flower.
Travele Right to the level of its name. It is more concentrated than the first partial appearance because he was recorded with the hard trio of the guitarist Linda Mai Han Oh, pianist/keyboard player Maestro, and Dermaz Nate Smith. The band gives almost every performance a great sound for modern jazz music, and works through standard ammunition and original materials. if Bones It was largely out of the category (although the May effects hints, from Bobby McVerin to six, from Herby Hancock to Grechen Parrato),, Travele It is shiny of jazz and jazz standards that refuse to be in the past the past of music.
The five criteria are respected here, but they are also determined in the May method. “Spring can truly hang you more” is the most traditional, as Maestro and Mayo are played as a dizziness on the verse of the song and the full triple play with the classic Grace where Mayo explains the song with maturity. Is Michael May a great jazz singer? It is completely. But he does not settle only on that.
In “It can happen to you”, Tin Pan Ally’s consensus is free from the song. The band placed a pace on an elastic band, the vocal Mayo slide in the tuna and slowness, and the move from the chest sound to the vagito easily. “Just Friends” puts a variable on “Boinciana Beat” and Philly Joe Jones emanating from all the rhythm from all standards, but it goes beyond Jazz Main Street. Mayo Scrats slightly and adjusts the melody and formulation like jazz singer, but as the performance continues, it turns out. Maestro plays the role of piano, Rhodes, and Piano Wuritzer in the Lacey network that returns to Mayo’s position in its singing in accompanying wooden consensus in the end.
Other standard tones deviate from the center in a fun way. Miles Davis’ Four “is installed on a very simultaneous piano ropes, perforated against the synchronous hand classification of equality and cylinder punches. It is an innovative, not traditional, traditional arrangement, but, instead, a strong group of interlocking interlock Dangery.
The five mayonnaise origins are more effective in putting them between these classics and with the same band as they offer. The title of the title, “Fly”, is a pure joy-a kind of optimistic and complex jazz that we used to hear from artists such as Jaro and Tania Maria. The maleo talented parents include the singo and Corvoes of songs, the songs that commit quantities of melody on a sunny pulse. The opening “Bag of Bones” looks like a modern Wayne’s feelings, with a sad tone on lush consensus alternately with the beating Contrapuntal groove.
My favorite in original songs is “I Wish”, a sad lyrical lyric about being a very conscious group of Biano Piano. Smith moves in the tone forward with click the pottery, as the maestro plays flexible elasticity and improvisation piano might be what Huras Silver appears to be in the 2020s. “Silence” uses a little more electric keyboard next to Bass Han Oh’s Acoussic. More importantly, this meat of Mayo Mayo “OOH” is in the order in a way that makes Stevie Wonder Wistful.
Dozens of other jazz siches change between traditions and their materials. May is a young man, but he has an amazing voice and a unique approach that makes both tables in one hypnotic sound. Its sound tone lights up, and its ability to arrange the delicious layers of the sound makes it actually recognize it immediately. While matured, Mayo can become unique-an uncomfortable artist.
