In “Textile Paints”, Ann von Freiburg restores femininity in the history of European art – huge
As if it was sprayed on the wall with a huge brush, Ann von FreiburgFabric establishments and fiber are depicted as gestures of paint. The colors bleed in each other and the drops extend to the ground, as the Dutch artist in London describes as “fabric panels”.
Depending on the traditions of European drawing in the seventeenth and eighteenth century, such as life that is still in the Dutch golden age and elegant enthusiasm from Rococo, von Friborg restores relationships between letter and fine arts.
Signs refer to Rococo artists such as Jean Honori Vergonard and François Bauscher prominently at the individual von Freburg exhibition, Cutein Sachi Gallery. A statement says that “the cliches of romance of two different sexes and the societal expectations of women … explore the pressures faced by women, especially the expectations of being” sponsors “and” fun “. Von Friborg turned her attention to the subjects of sympathy, freedom and women as sovereign individuals.
Cute It celebrates allergies and femininity while highlighting the unexpected connections between the materials. The abstract structures of the artist often indicate unclear flowers, cutting, and consistent with complete abstraction. Glossy fabrics revolve in a group of colors without complete confusion, which leads to sensory and strange shapes.
Von Freyburg describes one topic of the features as a “commodity fetish”, and it benefits from fashion in the seventeenth century of Dutch flowers that are still life and the nefarious economic bubble that is characterized Lavender Between 1634 and 1637.
The exhibition lasts until May 11 in London, where it works simultaneously Flowers: Flora in contemporary art and cultureand Which also includes the work of von Freiburg. Find more on the artist Website and Instagram.
