Bne Intellinews – The Tehran Art Museum reveals the hidden masterpieces of Picasso after four decades

The Tehran Museum of Contemporary Art (TMOCA) reopened its doors to art lovers, as it formed a selection of works by Pablo Picasso in its last exhibition, “Picasso in Tehran”, according to a report issued by them Iran daily Newspaper on March 12.

The exhibition includes 66 works by the Spanish artist, which spanned different periods of his career, including pieces of the Picasso’s La Tauuromaquia series (“Bulls Wrestling”) and is part of TMOCA sets One of the artistic works in the twentieth century was bought by the last Queen of Iran, Farah Diba before the 1979 Islamic Revolution. This group, which includes works by many prominent Western artists, including Francis Bacon and Andy Warhol,, for example, is estimated at more than 10 billion dollars, according to many values ​​who were lucky enough to see the entire group.

It combines publications, paintings, sculptures and artists ’books, highlighting a mixture of Picasso publications, sculptures, and artists’ books, and highlights his legacy and deep impact on Iranian modernists. It is a rare opportunity for visitors to interact with the breadth of his work, from his exploration in the cubism to his deep personal representations of war and suffering.

By framing Picasso’s pieces alongside the works of his contemporaries, which also forms part of the group, including George Barak, Robert Delonay, Franned Legger, Frantek Copka and Joan Miro – the exhibition offers a richer narration from the artistic currents that formed it.

The museum’s advisor, Reda Dabrinjad, said that the role of the exhibition in bridging the cultural dialogue, saying that the museums do not work in a vacuum. “The selection of Picasso was a deliberate decision that goes beyond just showing art. It relates to the museum’s diplomacy, about strengthening a global conversation on creativity and peace.”

Until May 21, the exhibition has been strategically tasted to attract waves of visitors, especially during the NOWRUZ holiday and comes after a great renewal in the building in recent years, including the repair of pipes that have harmed some invaluable artworks in recent years, according to the participants close to the local, local, local exhibitions Living in Tehran I noticed the magazine previously.

Among the outstanding pieces offered “The Painter and its Great”, “Open Window on Rue de Penhièvre” and “Baboon and Young”, and multiple changes from “Weeping Woman”.

One of the most attractive elements in the art gallery is a collection of four artists books, three of which are first unveiled, including the “La Tauromaquia” series, a series of 26 pieces that reflects Picasso’s deep relationship with the Spanish bullfighting culture.

Picasso’s work was deliberately placed Providing historical context. The choice sheds light on the interaction between artistic movements and confirms how his bold experience affected generations of artists, in both Iran and abroad.

Coordination of a presentation for this scale requires strict research and memorization efforts. Experts were pain to ensure that each piece is width in its best possible condition, as the conservation teams work behind the scenes to counter the natural tear that can come from exposure over time and poor storage.

The importance of the exhibition was clear in its prominent opening, which was attended by Iranian cultural officials, foreign ambassadors and art lovers. Among the attendees was the Spanish ambassador to Iran, Antonio Sanchez Bendito Gasbar, who reaffirmed his country’s commitment to strengthening cultural relations with Iran.

The Deputy Minister of Culture, Nadiriye Rizai, hopes that the exhibition will pave the way for future cooperation. She added, “The cultural Qawasim between Iran and Spain could be a solid foundation for joint projects,” she added.

The quality of the exhibitions in the museum is receding and flowing, as is the case with changing political trends in the country, with more relaxed departments led by reformists in the country often allowed coordinators to make more space and bring better management. This last upward path is likely to give the current administration on Pasteur Street an easy victory.