Ollee Owens protects us when there is no “place to hide”
As the Canadian singer Ollee Owens Croons on the cut title to her latest album, there is no “place to hide” when troubles come. This path opens the version and puts the mood. Owens It has a strong, expressive voice that provides protection. She knows the terrible times to come. This does not mean that we have to surrender or surrender. In fact, we need to stand tall. This is what the blues music revolves around. It encourages us to fight and find joy in life struggles.
Owenz makes more than one word belt, although it can get loud and proud of paths like “My Man” and “GROUND SOLID”. The Canadian singer participated in writing most materials and takes Yin and Yang from contemporary presence. “The blue sky always comes after rain / clouds, does not stop moving,” sings in “some days.” This song picks the essence of its life philosophy. Some days may look upside down, but the sun will always rise again. Even when things collapse, as in “Everyone in the Cut”, the singer knows that everything will be fine.
Perhaps better than just well, as in the feeling that a person gets with this distinguished person. The title “Shves and Butterflies” also indicates that love can be a magic experience. Ollee Owens is the blues singer. Her love is material. This music literally has the muscles behind. Muscle Shoals Will MCFARLANE opens a wide groove on eight of 11 tracks. Maintains vibrant things.
Owens accompanies the Crackerjack band, which includes the Bobby Blazier drama on all discounts, Tommy Sims on Bass, DEMARCO JOHNSON and Gabe Klein on various keyboards on most other tracks. It creates consistent groove that allows Owens to shine when needed. This is especially true in their delivery of the “neighborhood” in Los Le Popus.
Another prominent cover is the founding compressor Bob Dylan, “The Lord protects my child.” Owens has three daughters, including one with people with special needs. Dylan’s song is a call to God on behalf of his child because we live in “a world that has been raped and defiled.” The singer born in Manitoba offers a direct copy of the American -African churches in the south, with the completion of the Gospel choir and a solo. The last track comes. Instead of finishing the album in an optimistic note, Owen continues to express this perfect blouse for “we are all in this together” regardless of the problems that are on the road.
Lyrical, the term “Nore Lome Link” is repeatedly associated with the choir of Martha and Vandlas. This song described the blocking of love as a way to prevent harm. Owens takes the opposite to reach the same goal. It is a love you are looking for as a way to stand up to living pain. The singer knows that troubles may always be on the horizon, but one has to stay on the path. Ollee Owens announces that this works completely. She realizes that the blues teach us all implicitly against the problems of life through the act of participation.
