‘Severance’ Season 2 Tackles Race — in the Most Lumon Way Possible

all “to cutThis scenes already know, but it carries a repetition: Lumon Industries is like hell.

A lot of strangeness is rooted at work, which is mysterious and important; None of the sliced ​​workers know what they do, even when they are in the office, then there are elevators in the dark corridors and children’s goats – all of which are definitely converting to the heads when the broader world learns their real goal, even if they are above the board of directors of the company.

Then there is only dedicated strangeness. It is one thing for the broken workers to qualify the company’s founder Kier Eagan, but why unrestricted employees such as Cobel (Patricia Arquette) and MICICK (Tramell Tillman) play along?

Season 2, Episode 3, is one of the same as a thug, but small details add a huge complexity. When he is promoted to the floor manager, Milchick receives a gift: a set of paintings.

“The council wants to feel connected to Lumon’s history,” whose agent, Natalie (Sydney Cole Alexander), tells it at an individual meeting. “To achieve this purpose, please accept the council, these recycled panels, aimed at helping you see yourself in Kier, our founder.”

You can see caution on the face of Tellman before detecting the paintings; Milchick suspected exactly what is behind the flowering Lumon language, what ideas are not expressed explicit but always carry it. The Board of Directors recognizes the rare black director in Lumon, and is carefully tries to keep him in the queue. It is certain that it opens a plate in which Kiir IGAN is re -visualized as a black man – again, a non -readable Telman’s expression.

“This was something that we did not want to be ashamed of. This family was literally managed since the civil war. We wanted, in a“ separation ”way, to admit it frankly and what it would be, and what are some challenges that he would face, and that it will not be always public. Sometimes, this crust may wear kindness and acceptance, but there is always something behind it.

Tielman told Indiewire that while the scene re -delivers how Lumon Milchick sees, it has not changed anything about how to photograph the character.

“What was very important to understand is that Milchick is completely aware of his blackness,” Telman said. He fully realizes that he is different from the structure of the companies in which it works. Wide conversations were held with Dan and Ben on the theme of racism and put it in Lomon, as well as with Natalie as well, the fact that there is part of the colors. “

When Milchick examines the paintings in silence (after “Oh. Oh.

THIS is the first time that “Severance” has admitted to the character race directly – a decision that was made only with Telman’s approval and participation.

“I am grateful because these talks were happening and continued to happen and are still happening,” Telman said. “We are taking care carefully, because I never want to tell a story of this sensitive nature lightly so as not to respect the character, as well as the lack of respect for the masses that will invest in this story.”

The scene of episode 3 is disturbing – partially because it is “interruption” and comes with the region, but because it wanders in the reality of Milchick with the glorification of the consistent Lumon of the past. He forced him to confront this directly until now, the painting was aware of his race as it was, and it seems that this perception usually violates the virgin floor manager.

“I am grateful,” as I told Natalie, of his signature, his professionalism in Milchick. “It is worthy to see myself reflects in …”, exceeding the Lomon language that I failed for the first time we have seen at all. The council ends the invitation and thus ends the conversation and meeting, as Seth presented a WAN smile and rare recognition of the first name.

Ericsson said: “Even in his administrative role, he was always at the back of his head wondering,” Well, what do these people really want from me, and do they have my best interests? “What are the strange challenges that he will specifically confront, instead of another person working in the same situation?”

Arkit, who joined Telman to conduct the interview, indicated that Lomon’s past contradicts his present. “If you look back to the beginning of the century, there was a lot of racism – not today – but not to be part of that story? It is interesting.” “How many people receive this in the history of any religion, if you really look back, and people do not want to look back.”

While the council must – or at least He should The value of Milchick is greatly – there is no doubt that as with everything Lomon, the panels serve more than one purpose. They aim to ensure his deception – but will they do that?

New episodes of “Severance” Premiere Weekly on Apple television+.