Decoding the Cheldish Gambino Complex Complex for Childish Gambino

Pando Stone and the real world

I had many ideas and many things to say about these two new albums from Childish Gambino. However, the basis for this article is the question of Sean Ivans (from all people) asking Donald Glove on Hot: “So the standard comic motivation is self -filtration, while the dominant rap is one of Braggadocio. Are these things conflicting with you at all as a person whose types were highly explored?”

Glover’s response to this, which is thinking and intense deliberate, is that he created the childish “Gambino” personality to demarcate these lands in somewhat clear terms. However, Gambino’s similarity stands somewhat from the general hip -hop star. With Pando Stone and the new world, with a child’s childish -like character, Gambino’s childhood approaching, summarizes the final music effort and tells his entire experience as music, music and individual.

As such, the Pando Stone-is a somewhat famous musician trapped in the form of unwanted survival-and the same complexes are valued by the same Glove-including the batch and pressure between the livestock and the hip hop. This means, between discomfort, discomfort, insecurity on the one hand and Braggadocio, self -violation, and soldiers on the other hand. These come in waves and in a reaction to each other Pando Stone and the new worldMassages 17, surprisingly, see the decision.

During the similar profession of Gambino, Glove knew his lack of security – as a person and inside the industry. (Any Glove, although Bino) was a “retreat” over and overburdened by the extent of its weakness alone, and the extent of its ability to the world – or in the numerous worlds – inhabits it. This is reflected in the letter in Bando, which was created as a person who hardly keeps himself standing on his feet in his vicinity constantly.

Through the Dystopian plot, as it was presented in Jarrar To the short film, this final record tries to tell this insecurity, rather than its uncomplicated exploration of the soul in Atavista. Pando is hunting, like Donald (like a format), and every attempt to rest and clarity continues to bring face to face with insecurity that makes it. “SurviveFor example, it is a highly selection path, as it is known that “the weather always changes” and admits over and over again, “I Just try to save my life. ”

Famous in “LithoniaHe knows (through Cody) the truth of life, which is that “no one gives the curse”; and also knows in “You must be“this He has To maintain the struggle and it “Not possible He stopped and will not stop. “Cruisin“The twelfth track of 17, which admits that he is “too much”, and he does Need Helps.

Long before he did this, the listener knows that Bando is almost desperate to rest and always search for support – almost exclusively in the wrong place. This is comfortably suitable for the Gambino childhood brand of self-hatred because the purpose of Pando is, perhaps, to provide a closer look at the Donald Glober-Complex. Similar to the character Troy Barnes and Glober’s General Comic, Pando is unable and unable – and his only skills are that he “can sing.” He needs to rely desperately on Jessica Allen’s character, and this dependence – as elsewhere – becomes love.

in “Beach stepsAnd “and”True loveAnd we see him “hope” to “feel true love”, while making sure that he wants it “in all life” and that it is “love ever”. He wants to spend his Sabbath, and in fact, his life with This crystallizes the other and hopes to “rely on” one day in the way that it can “call it”. However, in both songs andNo excuses“We know as he does that his expectations of this equation are not realistic or known. It is more intelligent and more capable of it and you will never need to rely on it as it does. This knowledge, moreover, you feel that it is very similar to Bando – it regrets it because it is She did not calm down and she gave him a “cold love”.

It is to compensate for this isolation and this despair that Hip Hop Pragadoco plays Pando Stone and the new world. Every time he realizes his isolation and insecurity, he is immediately compensated by a very represented path, almost optimistic, a self -vehicle. It begins in this vein, in line with its presentation in the trailer – “H3@RT $ W3re M3@NT T0 F7 ¥“Everything is not necessary for the album’s conspiracy and it could be a strange introduction to it as well, if its purpose was to present Pando’s character as a large man, in vain, moderately famous (again, like a trailer, where his name says with a great result Jessica Elian’s character was never heard of him).

Bando calls himself “God” in a completely different context from “We are God.” Nearly the song’s body is used to put it against its rival (or boys Gambino against Drake).

Other paths, such as “ShitAnd “and”YoshinoyaThey are completely boasting paths and do not contribute anything to a conspiracy Pando to forbid. Instead, they appear, after the superior ego suffered in Bando. “Talk My SHIT” immediately follows “Steps Beach”, where alert dreams from “Saturday step“With the character of Ja, she was shattered by her and described it as” useless “. Returning to a well -known rhythm that Gambino is proudly claiming Bando,” I run on ya / I am there in one minute / I did that mysеlyf, a million, Bajillion / I made every penny “And the same rival” did not even get. ”

Amarae and Flo Milli parts do not contribute to this path, like all guests in this record, only in the narration created by the Glober for Bando, does not have almost any importance of their patterns, careers or disgust. “Yoshinoya”, again, comes on the scene after “true love” and “At night“The latter seems to be an attempt to reform the morale but in general, it comes out like a painful thumb. Pando/Pino/Donald is “busy building” life that Niger does not have, after she spent all “true love”, “in the hope that his (sweetheart) will feel love and true love.”

Despite all the disturbances and all built and intermittent hopes, Pando sees a decision-and this was required to successfully end Gambino’s similar story. Pando gets to know himself as a complex person who has many failures such as characteristics and hopes as a horse of hope and realizes that he does not need to be compensated or harnessed. There are clear moments in Pando Stone and the new world These are steps towards this understanding and treatment for the listener who tried to follow the Bando story about loss and discovery.

The first time we really interact with Pando Father. “Do you feel me?“He immediately suggests calm and contentment in his unique and fresh melody. This is his first experience with love where he receives as he gives -“ BARING (his soul) is completely naked ”and is called and called. He realizes here for the first time that there are equations in life” the purpose of love “.

After that, in “No excuses”, he admits that his expectations of romantic or romantic equations are the events and confirms that he is able to get out of them and no longer needs them. This, however, is a frustrating awareness, and its horizons at this stage are clear, especially when he says he “will not like again.” Once he admits that he needs help with “Cruisin”, the self -improvement process begins. He admits that he “needs (s) to love someone” and finds aspects of spiritual calm in “We are God“While realizing the presence of the Holy One inside, he says twice,” Show me how / how I love someone myself. “

I have noticed the repetition here because this looks like a double request. He wants to know how someone loves like Himself, defective, hurt, hope, and also ask how he loves someone like himself. It seems that he gets an answer both while moving to “DadvocateHe admits that he is “big like Lake Tahoe,” and though, he admits his weaknesses for his child: “If I told you that I was stronger than I looked, you will be lying.” All this is given, a promise, “You should not worry, a child, Abi Komin the house soon. “Only then he can reach a place for rest and security in”A place where love goes“.

I don’t know if the childhood gambino fans are happy with the idea of ​​this song, as it is the last childish gambino path. However, due to how the original boys Gambino voice, this appears to be a good place to say goodbye to the character. For Bando, moreover, this is a place for reconciliation and calm. Once again, it boasts about this path, which is somewhat dependent on the nose and a very clear performance – to the extent that this performance is meat and the issue of any advantages in this song instead of his person. Once this reconciliation arrived, Bando, the survivor, could say, “Throughout my life, I had to try to survive. But everything now. We found a place, A place where love goes.

Once this occurs, the affected childhood can be constantly resting, and finally.