Light is everything: interview with Seth Haverkamp

I love the idea that the blue color is next to the yellow to make green, etc. So if that is located in a category like impressionism or anything else, then this is great.

Do the restriction panel force you to approach your message in a way that you did not do otherwise?

See above. Very funny. I am not sure though. I don’t think so, really. I can have four different versions of each color and most likely work. It is specifically the earth and vegetable tones I should be careful and I cannot use them. I use one brown color, but it is pure. I do not use white with him or use it in the mixtures. I don’t think I will take color differences if I am trying to mix a lot of different colors of many different colors. Blind color, forcing me to draw how I draw.

In some of your work, it seems as if the paint techniques that you use can be described as impressive, perhaps with some backgrounds to a point …

I love the details, faces, hands, and do my best to be detailed, colorful and perfect as possible. My background and other areas have developed a more abstract feeling, and the paintings that were actually identified have an abstract element. I stumbled on this water technology for years when I could not finish any paintings. The image will be performed, but the backgrounds were not. Fortunately, I realized that sometimes you can leave some things walking, and here, I was born my full background. I put the paintings down and slide in a thin coating down and spray another color or 3 in it. Through many layers, you can achieve some interesting results. What I am trying to do now is to keep spraying and apply it to the elements of the real world. Fabric, clouds, ground, whatever. I just love the idea of ​​using a small brush to paint the iris and face, then a large brush to throw the paint around it and make it work together.

I do not think in terms of impressionism or anything. I do what I want and I hope to fit the painting well. If it carries the attention of viewers, this is great, of course. I love bright colors, I love the idea that the blue color is in the yellow to make green, etc. So if that is located in a category like impressionism or anything else, then this is great.

I love how, since Impressionism and other movements, then we have to express what we want as we want. To take a bright plate that resembles a straw pile coated with bright colors, for example, and use it to paint a picture, it is a pleasure to think about …

The backgrounds on many of these latest works are a type of their own character. I can waste their eyes …

This is beautiful. Thank you. It was a pleasure to develop and use this technique to complete the topic and obtain his own personality. I am after adding weight to the painting, to add a drama to this topic, and a generally interesting feeling of realism that is not very classic in its final appearance. I have strong opinions about how I want my work brush to look, and it is not a chaotic, UN appearance or painter. It is strange that although he is a painter, spraying does not fall into this category for me. After its solution and end and control, and for me, my background is the sign of these boxes. If someone can get out there for a while, this is a great victory in my book, especially the most recent with more landscapes.