The best 7 new movies on the peacock in March

It seems beyond the award season we get, the higher the number of films 2024, at the end, the more her way to broadcast. In fact, Max is not the only service that adds a few of the best films last year to its platform this month. Peacock is also scheduled to host the long -awaited broadcast of one of the long -awaited and most successful films. Moreover, the platform also brought more than a few immortal iconic cinematic classics to a fold in March, including one of the best Quentin Tarantino and romantic films that have been wrongly forgotten.

Below are TheWRAP choices for the best new films for this month.

“The Big Lebski” (1998)

It is one of the most quoted American films and pointed to it over the past thirty years, however, “The Big Leagueki” still feels original and unexpected now as it was in 1998. Joel and Ethan Queen Stoner Reef are on a Los Angeles investigator is Sri Lawpan, Detban, and very funny. Jeff Bridge is entrenched with “The Mudget” Lipovsky, Los Angeles, who ends up the victim of multiple lenses, attacks and thefts simply because some of the walnut debt and non -existing collectors make him mistake for a wealthy man (David Hedelston) with the same name.

The creation of the famous complex conspiracies that are usually prepared by the book of the detective imagination such as Dashiell Hammett and Raymond Chandler, “The Big Lebski” blocks the elegant in a network of lies and ridiculous violence that he will not have a snapshot even if it is not amazing. The division of his time between the elegant adventures and its conversations with its partners in the bowling, Walter (the thieves of the scene, John Godman’s standard) and wron (Steve Boschimi). The “The Big Leedski” is Coens in the most intelligent, uncomfortable and comfortable.

“Auders” (2024)

For the first time on March 21 on Peacock, “WICDED” is director John M. Zhou ambition, the huge adaptation appropriately for the first half of the beloved music with great popularity of the same name. Sinthia Ervo starring in the role of Elvaba, the western witch of “The Wizard of Oz”, and Ariana Grande in the good witch Glinda, the film tells the story of how the two people, who seems to be opposed, are unlimited friends, and then they were unlimited by the forces outside their control.

“Wicked” is characterized by some of the most famous Broadway songs over the past thirty years, which is a collection of ideas full of elegance, good humor and serious emotions-in addition to enough of the shine presented by VFX and digitally scheduled lesions to make them feel sometimes, like the closest to Hollywood may turn into a super film. A few films that were released in 2024 were received as “evil”. Now, each of its fans and those who are not aware of this month will have the opportunity to broadcast their homes.

Thilma and Louise (1991)

“Thelma and Louise” is one of those rare films that have almost little everything. Directed by Ridley Scott, the film follows two friends, Thilma (Gina Davis) and Louise (Susan Sarandon), where they are forced to go to run through America together after the latter killed a man to try to attack the first. While they are doing their best to disappear, the two are testing some unfortunate setbacks, ignoring the naive initiatives to investigate the investigator Hull (Harvey Keitel), and despite all of this, it increases closer as friends.

The end of the film is creative and often referred to it for some reason, but its final disciplined moments affect only a permanent effect due to the beauty of “thelma and louise” on it. Davis and Sarandon are electricians together, where Scott often remains far from them and Kali Khoury, who occupied the Academy Award in the movie scenario. The result is a meaningless crime drama that has crossed with a rough -road comedy that extends with unmatched energy, female, you are active as it is likable. The film is one of the greatest director of Scott director, and this says something.

“Kill Bill: Volume 1” (2003)

Quintin Tarantino has made some of the most famous and unpopular films during the past forty years. But “Bill Bill: Volume 1” is most Quintin Tarantino are all of them. The first half of OPUS is to take revenge on the writer and director, and it is in itself a honor from Frankstein for all the films of martial martial arts that fell in love as Cinephile, an epic that is fueled by adrenaline from the endless style and endless violence. This excitement follows a hero, referred to as “the bride” (Uma Thurman), where she wakes up from a coma and goes on a retaliatory tour targeting her ex -boyfriend and gloves who rented to help him kill her, and her child who has not yet been born and every person at her wedding ceremony.

In “Volume 1”, her mission is transferred to Japan to counter the frightening Yakuza gangs (Lucy Liu). Behind the camera, Tarantino runs the first half of the bride’s pursuit of a blood -filled adventure in which the ends are cut and people are killed more than viewers for the first time to see a coming. Watching his revelation is watching a film director who does not already know fear reaches new unimaginable levels of confidence. Tarantino did not enjoy a great deal of fun, and his clear artistic joy is contagious. Those who are looking for them on the peacock as well. Its great supplement is equal, “Kill Bill: Volume 2”, also flowing on the platform now.

“In Bruges” (2008)

Martin McDongh for the first time in the output, “In Bruges”, is one of the unforgettable gray dramim in the 2000s. Cologne and Brendan Glyon starring as a husband of the beating men whose president (Ralph Venice) was prepared pending his orders in the wake of a failed job, “in Bruges” follows her threads because the guilt they feel because of the violence they gradually caused, inevitably from their soul itself. At the same time, a black comedy is not preserved and also a thoughtful contemplation of the nature of guilt and the torment of the antiseptic, will make you “in Bruges” sitting at the end of its amazing silence.

Although it is slightly used in its last third, Fiennes almost steals the film with its perfect performance as a president of crime with a rapid mood and a very specific symbol. His collision ultimately with Gleeson and Farrell’s Assassins violent, tragic, brutal messy. Everything feels chaos and destiny at the same time, and this balance drinks “in Bruges” in an amazing quality. McDona has received an Oscar nomination trumpet for its scenario for the movie, which is ranked high alongside “Michael Clayton”, “There will be blood” and “Inglourious Basterds” as one of the best texts in the contract (or any contract).

“BrokeBack Mountain” (2005)

A historical movie in the history of Queer and one of the most romantic dramas with a large screen in the twenty-first century, “BrokeBack Mountain” is the Taiwanese director Ang lee’s Neo-Western Triumph. The film follows an air conditioner for a short story by writer Annie Brolos, follows the film of two American cows (played by Heath Leidger and Jake Gillnhal) with the extension of their secret love story from the early 1960s to the early eighties, affecting their lives and the life of those around them along the way.

The film received great attention when it was released, with Gyllenhaal, Ledger and Michelle Williams, all the nominations acting on behalf and the best way out of my 2006 Academy Awards. It is a patient and expanded piece – and it plays every part of the heartache, tragedy and regret of its story that can. Despite its decades -long scope, watching the movie seems to collide with a truck. The strength of her story, the emotions of Ledger, and the shows of Gilnahal, which you felt deeply will destroy and escalate. (And yes, you should win the award for the best image instead of “crash”.)

Brooklyn (2015)

“Brooklyn”, which is a very hidden romantic story, is the 2015 drama that has been eliminated against Sawiris Ronan’s second nomination for the Academy Award. Actress plays the role of “Brooklyn” in the role of Elis Lasi, a young Irish girl who migrates to the United States in the fifties in order to find a better work and life with more capabilities than her small hometown. The film follows Elis, first, facing the pain of growth to the homeland of moving to a new place and then finds security and love in its unbearable relationship with an Italian -American plumber Tony (Emory Cohen), who may have hearts in his eyes every time he looks at it.

When Illis is called to Ireland, she suddenly finds herself for the choice between the house she has always known and the new home that started building for himself in America. This internal conflict is presented with a few grace by “Brooklyn”, which is a romantic and charming drama made of a lot of love and attention to the details that earn each of its dramas. Under all its exact costumes in the period and visually luxurious tires, it is ultimately a story full of yearning for heart pain around both the pain of the advancement and the importance of doing this anyway.