Abu Bakar Traore and Baima do not resist on ‘sababu’ ‘Popmatters

Master Ngoni Player Aboubakar Traoré plays and sings clearly the purpose in his new album Sabo. He made with his band with a part, Sabo It crosses and explores the most important things to perform Burkinaabi: history, traditions, love and society. Although it is based in Belgium, this album is dedicated to the West Africa Unit. One of the citizens of Bob Diolsu International, Trauri spent his life in witnessing the cultural ties that could occur inside the region, and music gives him space to facilitate it. Sabo It is his release in the second year with Palima, and he believes that the five -year -old is transmitted from the jazz to a higher active space. Fill it.

Traoré plays Kamélé Ngoni, a smaller style than the series tool that allows him to move quickly and simple, every bright note leads the rest of the group. In addition to Traoré, the BALIA ROLAME assortment includes Guillaume Codutti (rhythm), Zonata Dembélé (Bass), Geoffrey Desmet (Balafon, Djembe), Désiré Somé (Guitar), which is a group of excellent players who work together to collect the distinguished strength To the distinguished textures to both the TRAORéi heart songs. On the opening track, “Sonfo”, the warm guitar in Somé leads the road with ostinati to tend to slide over the devastating rhythm in Codutti while Traoré celebrates human defects as decisive to diversity.

In the movie “Gnani”, Balafon from Desmet is the one that shines from the beginning, a rich layer of sound and symbolism that requires a feeling of African art from the whole of the West while Aboubakar Traoré allows to lose with a great criticism of Western colonialism and call for change. “Politiki” takes the subjects of self -determination more through a warning of power to expect uprising against ill -treatment; A useful break near the end is seen that Traoré left with intense Ngoni Solo.

The sweetest tracks follow. “Djarabi” is a true love story, with a sad melody that emphasizes the indisputable power of love and which Traoré describes in an exceptionally flexible voice. “Sababu” states listeners to search for many opportunities in life and seize those who promise real happiness. The band takes Dubby in turn on “Turmaagan”, in honor of the old Turamagan President Turamagan and the proportions that are characterized by the sound prosperity of Mariam Dipet.

The useful “Djuru Kan” is a single individual piece. The album ends with “Tulon”, which is a certain celebration of life for celebrations; At one point, Traore calls, “Vous êtes fatigue?” (“Are you tired?”) The response, of course, is “other than!” It is the wonderful emotional Nich and hope to close Sabo a trip.

Dreaming in a dream and beautiful performance, Sabo It is a decisive step forward for Abobakar Traore and Bima, where they moved them towards becoming the most prominent people of West Africa in West Africa. Music here is honest, the actual social comment, production is polished, and talent is indisputable. with SaboAbu Dakar Traore and Bima founded themselves as a basic group in a vital scene, and it is easy to imagine that they continue to illuminate the stages not only between Belgium and Burkina Faso, but beyond that if they continue to make music that is active.