Ethile Caen is very terrifying and painful
Ethile Caen is a figure born from the wounds of religious fanaticism. The manifestation of Hayden Anidonia, Kane’s tragic story is strongly derived from the experiences of the singer and songwriter who grows in a southern rural southern town (and discovering her sexual and sexual identity). Its music obscures the separation line between reality and imagination, and Cain’s novel is one of the shocks, abuse, and violence, as it was narrated in the full appearance of Floridian, Daughter of the preacher. Anheidonia album in the second year like Ethile Caen, DeviantIt maintains the southern Gothic Azar, established Anhedunia, but it uses slow spaces to continue its launching – painful.
The story was followed on her appearance for the first time, Ethile Caen, the daughter of the abusive deacon, because she became in a romantic relationship. Ultimately, Cain was killed by her lover, who hits her, and begins to go to heaven. The registry mixture of alternative, popular, and gothic rocks seemed to be at odds with such heavy topics, and perhaps more than that on the “American teenager”. However, singing and writing songs were deliberate. Her voice was in the foreground and the center, and tells the horrific story of infectious melodies. to DeviantIt takes a largely different approach.
Anhedönia gets more experimental, surrounding Ethel Cain, atmosphere, drone, delaying the tape, and hitting her voice with more frequency. Instead of using her voice, it allows the place and time to tell the story or at least excite her mood. The effect is very annoying. The album evokes a fateful feeling that is not different from the original Texas massacre in the saw. For masses that are attracted to pop allergy, Deviant It may be a surprise, and its rewards may be very far from hand.
“Pervers” opens with LO-Fi from the nineteenth century hymn “, closer, my God, to you. It is not polite and moving as if it was registered in the 1940s. A large part of 12 minutes is allocated to the atmosphere and drones, and tension is built all the time. The energy leads listeners to “Punish”, one individual with Billie Eilish. The dull piano ropes and long standing are revealed with sadness. The peak is great, with majestic strokes of excessive guitar.
“Houseofpsychoticwomn” is another slow burning, with most atmosphere. The strange repetition of “I Love You” carries the piece forward. “Sagillatator” begins brushing on the cylinder group, and it is still incredibly spacious and slow. “Onanist” rings with the old piano. The keys are exploited one by one, and their tones were evacuated together in some diverse tires. Cain’s singing is distorted and tampered with it, and singing, but it looks like a distant suffering.
Elsewhere, “Pulldrone” is similar to the spoken word hair, with its verses giving way to drones and scary alarms. Melt the piece as a bow across the tendons, and slowly out. “Etienne” is very similar to “Punish” with Lo-Fi piano and wind silence. The radio or television transmission ends with the piece, as the narrator says, “… you no longer want to kill yourself anymore.” Are they happy? I was surprised? Hope is disappointed? It is difficult to know.
“Amber Waves” booknds Deviant It is the most rewarding part of the album. It took a long time to get there-standard hours within an hour and 40 minutes-but you finally get a glimmer of what Anhedönia can do as a singer and songwriter. The guitar and electric singing, which was well, is sick, gives way to a beautiful moment – a welcome to terrorism, the anger that lies under traditional and conservative enthusiasm.
In the self -hatred Deviant It is clear, to the extent that it may not provoke multiple listening. There is a large space between the parts that I made for the first time. Deviant“The experience is dark, strong and very terrify Her previous work, but her bold effort here is impressive.
