Sophie Thatcher and Jack Quaid Interview on ‘Companion’

Writer Drew Hancock‘s “companion“It takes a lot of transformations and turns between the types and tones that it is almost impossible to describe without giving up its secrets, but since the trailer has already given that IRIS, the female lead in this unconventional is more than ROM -coms, is a robot, let’s only say it”Marriage storyIf one of the partners in the separation is Android-and if there is also theft, multiple murders, and even dance numbers delivered.

Even the actors who starred in the movie face difficulty in classifying it. “I still don’t know what the type is,” Jacques KyudWho plays the role of “friend” Iris Josh, tell Indiewire. “I like it does not have a specific box in which you can put it.” Sophie to TatcherWho plays the role of the iris, she was equally fascinated by the unique quality of the text and selling it more when it is associated with Hancock on movies, and more specifically film music. “This assertion gave me that he had a really good taste and I was like, well, I trust in this man,” Taccher told Indiewire.

That confidence was necessary, given the complex classes.companion“She asks the actors to reveal, given the presence of many things they hide from themselves, each other, and the public. In fact, one of filmThe biggest strengths are that they play completely differently on the second viewing, with both actors’ gestures and lines readings that result from alternative interpretations. The trick for both actors played multiple levels without getting a very technique and playing things that are not safe as a result.

“I was trying to be present and at the present time, but perhaps I would leave a small path of bread crumbs for the public,” Kwid said. “I tried not to complicate.” For Tisscher, the key was to focus on iris physical, which was completely different from it. “It was about finding stillness,” said Tashcher. “I had to get a contemplative state almost in some scenes, which I was not used to. But I felt that I had already addressed her to the point that it was not really an extension. Many of it was intuitive. You have to choose a character and follow their mind.”

One of the most persuasive things about the “companion” as a whole and the performance of Tasher in particular is the gradual change in Iris, a seat changing that was partially expressed by skillfully controlling her voice throughout the movie. “When you find her voice, I found for me The sound reduces my natural voice, while at first it is very smooth. .

If IRIS clothes in the early scenes feel that she reminds us of the wardrobe worn by the female in the sixties of the last century, Jean-Luc Godard Movies decided, and this is not a coincidence-that coincidence, Porter and Quaid decided that Iris would wear a character from the new French wave, because it was it. She wears Josh’s clothes, a student’s movie that she taught a lot, she chose for her. “[Sophie] Kwaid said, Drew reached the idea that Josh might be a movie of his brothers, as Tatcher added that what Josh saw in the films “is what he realizes and this is his ideal wife.” For Josh himself, Kowid said he just wanted “the worst and possible unit. She wants to be really reasonable to be just a man.”

While Kowid was not associated with Josh in the same way that Tascher relates to Iris, he found a way to a man who considered him a somewhat close person in many ways. “You do not want to judge a personality while playing,” Kowid said. “I started from the simple idea of ​​a person who has never heard” I love you ” – how his life had played and what would have been leading him here?

Just as Josh’s masks were stripped of a journey for the public, it provided one of the main pleasures of playing the Quid part. “It is one of the most rewarding arches that I could have, because he deduced the movie but he thought about himself as a hero. It was good to have a convincing motive, and I am very happy because I play it even if it was one of the worst humans I played ever. I played a killer Series! ”

“Rafik” opens in the theaters January 31.